Split-Level Head: Cineastas
Omar Willey considers the levels of fiction in Mariano Pensotti's latest production.
View ArticlePaul Mesner’s Pulcinella: Anarchy in a Coppolone
Some thoughts on an old, old tradition. By Omar Willey
View ArticleArtist, Suffering and Insufferable: Blood Water Paint
Thoughts on Joy McCullough-Carranza's Blood Water Paint.
View ArticleTwo Types of Mystery: NINE and The Long Road
More theatrical musings from our publisher, this time about Arouet's production of two contrasting one-act plays.
View ArticleWe Are Proud to Present a Presentation About Race That Doesn’t Insult Your...
Omar Willey talks about race and stuff in Pony World's latest presentation.
View ArticleLizard Boy: Totally Righteous Pizza Nerd Godhead, Dude
One must resort to extreme measures to capture the extraordinary intricacies of subtlety and text and stuff in Justin Huertas's latest playcomicmusical thingie.
View ArticleThe Most Deserving at Theater Schmeater
Theater and stuff and art and things on the fishy side of Otto S. Fishbein.
View ArticleAn Interview with the Creative Nucleus Behind Fail Better
Jose Amador interviews the creative crew behind UMO's Fail Better.
View ArticleLizard Boy: Hand on the Glue Gun
Wes K. Andrews feels out the latest musical at the Rep.
View ArticleLa isla no tiene nada para nadie: José Amador talks about El Hijo Prodigo
And several butchers' aprons.
View ArticleHoly Roughness: The Glas Nocturne
An overture of thoughts on Akropolis Performance Lab's The Glas Nocturne.
View ArticleNot All Who Are Lost Wander: On the Verge
Thoughts on the UW UTS production of Eric Overmyer's play.
View ArticleThe Presumption of Familiarity Breeds Contempt
Back to polemics, Omar Willey muses on the absence of classics.
View ArticleBig Choices, Fake Storefronts: Seattle Musical Theatre’s 1776
What if Seattle's theater community is actually a Potemkin village? Omar Willey muses on Seattle Musical Theatre's latest production.
View ArticleThe Drama is Unbecoming Now: Six Characters in Search of an Author
Omar Willey muses on Seattle Theatre Works' production of the Pirandello classic.
View ArticleIn the Absence of the Feminine: Dance Like a Man
Omar Willey disserts on Pratidhwani's production of Mahesh Dattani's highly-respected play.
View ArticleIs She Dead Yet? at Annex Theater (dir. Brandon J Simmons)
José Amador on the controversial comedy taking place at Annex Theatre.
View ArticleOn Avoiding Artistic Integrity For Commercial Success
The ensuing commentary was originally intended to be the introduction to our review of Brandon Simmons’ IS SHE DEAD YET?
View ArticleA Three-Course Brecht Feast; an Interview with The Horse in Motion’s Bobbin...
José Amador sits down with The Horse in Motion's Bobbin Ramsey to discuss her company's coming production of BRECHTFEST at the Can Can.
View ArticleSmall Wonder: La Mélancolie des dragons
Philippe Quesne's piece at On the Boards proposes naïveté as the basis of theatrical magic. Omar Willey considers.
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